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Gerhard Hoffmann's From Modernism to Postmodernism: Concepts and Strategies of PDF

By Gerhard Hoffmann

ISBN-10: 9401202427

ISBN-13: 9789401202428

During this finished and systematic examine, Hoffman discusses the postmodern American novel in its ancient, cultural and aesthetic context among 1960 and 1980.

His assessment of some of the definitions of postmodernism, philosophy, cultural idea and aesthetics offers the framework for his inquiry into extra particular questions, corresponding to the connection among aesthetics and ethics; the transformation of the creative culture; the interdependence among modernism and postmodernism; and the switch within the aesthetics of fiction.

He additionally addresses situationalism, montage, the standard and the glorious, the topic and the nature, the mind's eye, and the way forward for postmodern recommendations within the works of postmodern novelists and their successors. Hoffman has been writing approximately postmodernism in view that 1978 and is the writer and editor of a number of works on that topic.

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Additional info for From Modernism to Postmodernism: Concepts and Strategies of Postmodern American Fiction (Postmodern Studies 38) (Textxet Studies in Comparative Literature)

Sample text

Written in an anticipatory spirit, they break up traditional schemes of representation and evaluation, what Charles Olson, the Black Mountain poet and one of the first promoters of postmodernism in literature, already in l951 called the “old controlling humanism” (5). Hawkes’s The Cannibal, actually the first postmodern novel, appears in 1949, Gaddis’s The Recognitions in 1955, William Burroughs’s solipsistic Naked Lunch in 1959, his cut-up novel The Exterminators (written with Brian Gyson) in 1960, and Joseph Heller’s seminal Catch 22 in 1961.

The pluralization of aesthetics, the aestheticization of the lifeworld and the blurring of borderlines between the aesthetic domains have consequences for the arts. The growing influence and power of the electronic media bring about a leveling of quality standards; with the decline of the high status of art and its claim to exclusiveness, a dislocation of formerly existing norms of quality within the arts also comes to pass. A “democratization” or pluralization of the criteria of judgment takes place.

They created an aesthetics-versus-ethics debate, the negative voices accusing postmodernism of substituting aesthetics for ethics, which allegedly leads to an indifferent and therefore irresponsible “anything-goes” attitude (Feyerabend). ] a coexistence not even of multiple and alternate worlds so much as of unrelated fuzzy sets and semiautonomous subsystems” (1992, 372). Stephen Best and Douglas Kellner, on the other hand, see in the “postmodern emphasis on disintegration and change” chances for “new openings and possibilities for social transformation and struggle”, a way toward “a more diverse, open and contextual politics that refuses to privilege any general recipes for social change or any particular group” (28).

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From Modernism to Postmodernism: Concepts and Strategies of Postmodern American Fiction (Postmodern Studies 38) (Textxet Studies in Comparative Literature) by Gerhard Hoffmann

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