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World-renowned novelist Mark Helprin bargains a ringing Jeffersonian safety of non-public estate within the age of electronic tradition, with its degradation of suggestion and language, and collectivist bias opposed to the rights of person creators.
Mark Helprin expected that his 2007 long island occasions op-ed piece concerning the extension of the time period of copyright will be bought quietly, if now not altogether missed. inside every week, the thing had collected 750,000 offended reviews. He used to be stunned by way of the breathtaking experience of entitlement tested by way of the commenters, and appalled by way of the breadth, velocity, and illogic in their responses.
Helprin learned how tremendously diverse this new release is from these sooner than it. The inventive Commons circulation and the copyright abolitionists, just like the remainder of their iteration, have been knowledgeable with a contemporary bias towards collaboration, which has led them to denigrate person efforts and in flip fueled their feel of entitlement to the end result of alternative people’s labors. extra vital, their egocentric wish to “stick it” to the grasping company pursuits who regulate the creation and distribution of highbrow estate undermines not only the potential for an self sufficient literary tradition yet threatens the way forward for civilization itself.
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Une aventure s'est déroulée en France entre 1968 et 1990: fièvre de l. a. pensée et des corps, passions excessives, goût du risque. Les personnages de ce roman en sont issus.
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UNIVERSAL DARWINISM 17 We should think of it like this – evolutionary theory describes how design is created by the competition between replicators. Genes are one example of a replicator and memes another. The general theory of evolution must apply to both of them, but the specific details of how each replicator works may be quite different. This relationship was clearly seen by the American psychologist Donald Campbell (1960, 1965) long before the idea of memes was invented. He argued that organic evolution, creative thought and cultural evolution resemble each other and they do so because all are evolving systems where there is blind variation among the replicated units and selective retention of some variants at the expense of others.
The ones we regularly meet are the successful ones – the ones that made it in the competition for replication. My question is simply – which memes are those? I am going to take the meme’s eye view as a way of tackling several controversial questions. I shall start with a simple one. The question itself may not be profound but it does turn out to be rather intriguing – and it will give us practise in thinking from the meme’s point of view. Why can’t we stop thinking? Can you stop thinking? Perhaps you have practised meditation or some other method of calming the mind.
As we shall see, some theories of cultural evolution are little more than this idea; others try to specify a mechanism but still come back to biological evolution as the only driving force, while just a few involve the concept of a second replicator as memetics does. This is what makes memetics so distinctive and so powerful. The whole point of a memetic theory of cultural evolution is to treat memes as replicators in their own right. This means that memetic selection drives the evolution of ideas in the interests of replicating memes, not the genes.
Condé Nast Traveler (February 2014)